READINGS OF THE WORK BY PHILIP HARVEY

New research shows that cerebral palsy sufferers have stopped development at the point of learning how to turn over, stand up, &c. Many years later they cannot perform certain actions because their mind has restricted them: they can go back into a fetal position. It does not affect their intelligence or growth in other areas. Nolan’s favourite words – casting, crested, cradled – reveal someone limited by a body that cannot obey the wishes of the mind. The compacting of his sentences is not simply the result of his method of composing with the ‘unicorn’ – dropping the articles, inventing new words, rearranging traditional order; it comes from a great rush to get things said, an intense urgency governed by his disability and by the strains of time (the eye and the clock) to get it all out. So what if his mother edited or added? It seems almost inevitable, considering the method. What is at the core – in the beauty of the descriptions of friendships, family and happiness, and in t

Do the lists always work? Isn’t there an emptiness behind pages of detail? It is a work of immense care and attention, yet are the rooms of the house full of scrappiness? As a fan of inventories this book is a wonder to read – yet the reader is left too often with a disjunction, between the objects of the room and the person, that cannot be solved, cannot be soldered. One imagines the rapidity of the puns, the verbal play, the suggestiveness of styles in the French, which in translation cannot achieve the same effect. Perhaps, as in ‘Ulysses’ or Rabelais, listing and listing has its own momentum and thrill, the only way to say “there is more” is to say more and more. The curiosity of the curiosity shop, the curiosity of the plan Perec set himself in writing each chapter along such restricted lines of play – these things keep the fascination long after the objects and their connotations have started to wear out. Again though, what delight to have someone who makes us aware in a nove