Skip to main content

Las Preguntas – Cancer (Pablo Neruda)


So now we know, the poet had prostate cancer when he died.

La muerte será de no ser
o de sustancias peligrosas?

Will death consist of non-being
or of dangerous substances?

[XXXV]

They chose to dig up his remains in April of this year.

Qué cosa irrita a los volcanes
que escupen fuego, frío y furia?

What is it that upsets the volcanoes
that spit fire, cold and rage?

[VIII]

So many with a claim on Pablo Neruda still, so many wanting the truth.

Pero sabes de dónde viene
la muerte, de arriba o de abajo?

But do you know from where death
comes, from above or from below?

[XXXVII]

Now we know for sure that while writing all of these Spanish words he was suffering from cancer, these words that are the lines of his final long poem.

Por qué anduvimos tanto tiempo
creciendo para separarnos?

Why did we spend so much time
growing up only to separate?

[XLIV]

Everyone has their own Pablo Neruda, politicians and historians and readers and rivals and friends and family and strangers.

Cuando ya se fueron los huesos
quién vive en el polvo final?

Now that the bones are gone
who lives in the final dust?

[LXII]

Each with their own questions needing firm and conclusive answers. While Pablo Neruda, as he sat through what were to be his final months alive, made up a poem consisting only of questions.

Quién trabaja más en la tierra,
el hombre o el sol cereal?

Who works harder on earth,
a human or the grain’s sun?

[LXXIII]

Questions that hint at the answer and how the answer cannot be firm or conclusive. How the answer is, like the question, a lead to further questions.

Verdad que parece esperar
el Otoño que pase algo?

Is it true that autumn seems to wait
for something to happen?

[LXXIV]

And when Pablo Neruda asks questions like this we sense that something is impending, something we will have to accept, even though we don’t know what it is. It could be upheaval or loss or change of some kind.

Qué sigue pagando el Otoño
con tantodinero amarillo?

What does autumn go on paying for
with so much yellow money?

[XI]

The Chilean Government this year ordered the exhumation of the remains of Pablo Neruda and the autopsy confirms that the poet had prostate cancer at the time of his death, with extended metastasis.

Ayer, ayer dije a mis ojos
cuándo volveremos a vernos?

Yesterday, yesterday I asked my eyes
when will we see each other again?

[XXII]

The rumours of forty years ago are fresh on the internet. At the time of the coup in 1973 Pablo Neruda planned to escape to Mexico. He had lived in exile before.

Y qué me dio por transmigrar
si viven en Chile mis huesos?

And why did I decide to migrate
if my bones live in Chile?

[XXXI]

While Pablo Neruda pursued poetry his whole life, he was also committed to a cause. Pablo Neruda was human: one day he was going to die. It could be next week.

Es el orden o la batalla
este quebranto sucesivo?

Is this continual breaking
the order or the battle?

[LIII]

Whether or not he knew he was going to die twelve days after the coup, he stayed by the ocean where his house was located and made up a poem made entirely of questions. Question sentences were the single grammatical construction, the form, he chose to write his long poem of seventy-four cantos.

Has pensado de qué color
es el Abril de los enfermos?

For the diseased, what colour
do you think April is?

[XXIV]

Alone with all his thoughts, closer still for Pablo Neruda is the knowledge of mortality.

Y cómo el invierno acumula
tantos azules lineales?

[Have you noticed] how winter collects
so many layers of blue?

[XVII]

There was so little time and maybe the poem was not even completed. Events press in as he tries to handle daily tasks, like his health and the emerging political situation and his next poem.

Se fundirá tu destrucción
en otra voz y en otra luz?

Will your destruction merge
with another voice and other light?

[XXXVI]


All the Spanish lines are from Pablo Neruda’s book poem ‘El Libro de las Preguntas’. The translations are by William O’Daly, published under the title ‘The Book of Questions’ (Port Townsend, Washington, Copper Canyon Press, c1991). 



Members of Chile's Medical Legal Service in April 2013 digging up the grave of Chilean poet Pablo Neruda in Isla Negra.

Comments

Popular posts from this blog

Why did Dante write The Divine Comedy?

This is one of two short papers given by Philip Harvey at the first Spiritual Reading Group session for 2014 on Tuesday the 18 th of February in the Carmelite Library in Middle Park. He also gave a paper on that occasion, which can be found on the Library blog, entitled ‘A Rationale for Purgatory’ . Nadezhda Mandelstam recalls in one of her books how her husband, the Russian poet Osip Mandelstam, would say that when reading poetry we can spend a great deal of time discussing what it means, but the first and main question about a poem is not what does it mean, but why was it written. That is the place to start. Here are eleven reasons that I offer quietly to help us think about this poem: Why did Dante write The Divine Comedy? You may have other reasons and these are invited. We will spend most of our time today looking at meanings, but also at why. I wrote these out as they occurred to me, so there is no priority order. 1.      He wrote the poem because ...

The Walk (Seamus Heaney)

This poem was read aloud at Janet Campbell’s funeral in Hamilton in Victoria in December 2006. Janet was a great lover of poetry all her life, a great reader of poetry, and she read everything of Seamus Heaney. Indeed, when she worked in Melbourne or London bookshops Janet would grab hold of Faber pre-publication copies of Heaney if they came into the backroom, and disappear for days, copying lines onto postcards for her friends, transferring lines into her lifetime of diaries. Diaries that were also a lifeline. Janet read everything, but Heaney was one of the regulars. Seamus Heaney keeps a tight line. He is rarely though completely opaque and the way into this poem is the word ‘longshot’. We only find in the second of the two poems that we are being asked to look at two photographs. Or, at least, poems that are like photographs. Or, better still, strong memories that have taken on in the mind the nature of longshots. The two poems in one are reminders of close relationships. ...

The Poetry of Rowan Williams

Rowan Williams delivers the twelfth John Rylands Poetry Reading last year   This is a paper given by Philip Harvey in the Hughes Room at St Peter’s Church, Eastern Hill, Melbourne on Sunday the 6 th of December as one in an Advent series on religious poets. The original title of the paper was ‘The text that maps our losses and longings’. Everything Rowan Williams says and writes reveals a person with a highly developed sensitivity to language, its force, directness, instantaneousness, its subtlety, indirectness, longevity. A person though may speak three languages fluently and read at least nine languages with ease, as he does, and still not engage with language in the way we are looking at here. Because Rowan is unquestionably someone with a poetic gift. By that I don’t just mean he writes poetry, I mean he engages with the life of words, their meanings, ambiguities, colours, their playfulness, invention, sounds. We find this in those writings of his that delibe...