Max Richards at the window overlooking Lake Union in Seattle
A sequence of four dream poems arrived from Seattle by email
on the 20th of May 2016. As with ‘share 6’, Max Richards (1937-2016)
reveals how an intense reader of literature will meet authors in their dreams,
whether local or exotic. He liked to present some of his rambling verse of this
kind in different fonts and point-sizes.
Dear
Readers, I Dreamed
1. In
a Manner of Speaking
Dear
readers, how are you all
enjoying
my new poem -
OK so
far? - opens well?
I say
all - as if you’re plural,
if not
multiple,
however
alone you are
as you
read. Alone -
but not
lonely?
We keep
each other
kindly
company.
Truly, I
have trust
in what
we can achieve
together,
a sort of
double-jointed,
double-
handed
enterprise:
like a
sparrow tangled
in a
spring-green hedge
a phrase
tries to emerge.
What
arrives is like
a
simile, trailing twigs
and
green debris.
The
hedge continues
briefly
trembling,
subsides
to stillness.
The
sparrow continues
on its
morning tasks
near
where it emerged.
Is it
nesting time? -
well
concealed. Is some
nest
deep inside it home
for a
sparrow family?
Are you
still with me?
I like
to think so,
and me
with you - surely
you are,
in a figurative
manner of speaking?
2. In
My Doggerel Dream
I heard
word that Chris
Wallace-Crabbe, Melbourne’s
venerable
poet and general
all-rounder, had taken up -
metalwork! Soon after,
Chris
turned up with, in tow,
his
first major project,
the size
of a small car,
highly-figured
brass plates
on all
sides. I said to him:
‘I hear
you’ve interested
the Post
Office in this,
Chris. I
can’t see the slot.’
‘Discreetly
placed, Max.
Yes,
they’ve asked for
a score,
or more, one
at least
for every big
town
across Australia.’
As if
they’d get folk
posting
mail again.
Now I
could see the brass
figurations
were snails.
What
logic was this?
Dream
logic, I guess.
My car
was jammed full
with
frozen goods from Coles
in North
Balwyn
which my
wife’s parents
still
call Dickins.
I
pressed on Chris
some
fresh-baked sponge cake
which he
tried to resist
with a
pained grimace.
He took
one slice
in a
plastic dish,
returning
me the rest.
‘We
creatives must eat,’
each
acknowledged each.
3. Me
and Isaac Babel
Isaac
Babel is available for you
to
interview, the jingling words reached me -
provided
I provide a
true
(non-spy) interpreter. Strange - I knew,
as he
did not, his
waiting fate -
that
firing squad ordered
by Beria.
This
called for great discretion
from me.
My
first, anxious visit to the Soviet Union -
reading
and rereading Red Cavalry.
How
shocking they still were, those stories:
lawlessness, hopes
smashed, more cruelty
than
compassion. What strength! - to have seen
so much,
and written down what those in power
dreaded
being known, or didn’t they care?
We met
in Odessa. He insisted
his crim
Jews, now gone,
were true fiction.
Exile
would be safer, Mr
Babel. He nodded.
My
family want me in the West with them.
My work
is here. Filming Gorky’s books, you know.
Now I
write the truth for later readers, when
things
improve, then Russia can be honest again.
I left
him sad. Why waste his time with me? -
foreign,
behaving secretively.
Years
passed. Generations. Some reading.
4. If
I Say
as in my
dream I was about to
(meeting
you nowhere in particular,
uncertain
of past and future)
how
lucky I have been to know you,
you will
hear in what I say
some
foreshadowed farewell
grateful
but ominous
acknowledging
how some time
sooner
maybe than felt before
that ‘have
been’ may change
to ‘was’.
Soon maybe second
person ‘you’
will change to third.
How
lucky I was to know her.
It
assumes of course the ‘I’
in this
survives the ‘you’.
Yet the
farewell might just be
one that
gets said last thing
before a
going away, some
ordinary
separation kindly
Time may
permit to end.
See you
soon, I trust.
When
shall we two meet again?
May we
both survive this
so
uncertain separation.
In this
life, this we prefer,
such
return, such reunion.
Don’t
distract with notion
of
afterlife, after death...
is
death. Yes, you’re hinting
what may
one of us suffer
outliving
the other.
If I
should say (which I won’t)
‘let it
not be you’ - how
cruel
the
unintended under-thought,
to wish
either dark
alternative
on another.
So, better
not to broach any
of this
whether under bright light
face to
face or dreaming darkly.
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